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Amniotic Fluid Propellers

by DAMIEN DE COENE / UNSIGNIFIED DEATH

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about

Damien De Coene:

Recorded 03/03/2019

damiendecoene.bandcamp.com

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Unsignified Death:

Recorded 03/03/2019

"Kristeva posits that between the chora and the mirror stage occurs a crucial pre-linguistic stage that she associates with the abject. During this time in your development, you began to establish a separation between yourself and the maternal, thus creating those boundaries between self and other that must be in place before the entrance into language: "The abject confronts us, on the other hand, and this time within our personal archeology, with our earliest attempts to release the hold of maternal entity even before ex-isting outside of her, thanks to the autonomy of language. It is a violent, clumsy breaking away, with the constant risk of falling back under the sway of a power as securing as it is stifling." Like the subject's confrontation with death, the threat of falling back into the pre-linguistic stage of the chora strikes the subject with fear and horror because it means giving up all the linguistic structures by which we order our social world of meaning. Kristeva sees the stage of abjection as "a precondition of narcissism," which is to say, a precondition for the narcissism of the mirror stage, which comes next."

- Dino Felluga

credits

released March 4, 2019

Cover art by Polwach Beokhaimook.

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UNSIGNIFIED DEATH Bangkok, Thailand

"A wound with blood and pus, or the sickly, acrid smell of sweat, of decay, does not signify death. In the presence of signified death—a flat encephalograph, for instance—I would understand, react, or accept." "These body fluids, this defilement, this shit are what life withstands...on the part of death."

- Julia Kristeva
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HNW from Bangkok, Thailand operated by Polwach Beokhaimook.
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